Christopher Hull is a percussionist and ethnomusicologist whose work focuses on tensions between tradition and innovation in contemporary music. As a passionate performer of solo, chamber, and orchestral percussion, he seeks to ground his work in his classical training while simultaneously transcending the conventions of the conservatory. With classical percussion degrees from Wilfrid Laurier University and University of Alaska Fairbanks, a performing arts certificate from the Arts Institute of Indonesia Denpasar, and his current studies in ethnomusicology at the University of Toronto, Christopher’s genre-defying work exhibits a world of experience.
As an orchestral percussionist, he frequently works with the National Academy Orchestra of Canada, the Hamilton and Thunder Bay Symphony Orchestras, and Sinfonia Ancaster. He has appeared as a chamber musician and soloist in festivals such as Open Ears, International Gamelan Festival Munich, Young Artists Niagara, and Sacred Rhythm Jakarta, and can be heard playing drums, vibraphone, and synthesizer on commercial recordings by Call Me Moon and Treephones. He is also Associate Artistic Director of Toronto-based Evergreen Club Contemporary Gamelan, commissioning and premiering new works for Sundanese degung, and director of the University of Toronto’s Balinese gamelan ensemble, Dharma Santi.
Get to know Chris…Beyond the Bio!
Hobbies: Reading, cycling, and synthesizers
Musical influences: Jojo Mayer, Benny Greb, David Garibaldi, Gary Burton, Tony Miceli, Steve Reich, Glenn Gould, Bill Evans, I Dewa Made
Favourite food: Noodles
Least favourite food: Quiche
Favourite music: R&B, hip-hop, funk; Western modernism and minimalism; Balinese gender wayang; Sundanese degung; Orchestral; beatsce Favourite song:!
Favourite movie: The Departed
Favouirite movie music: Old modern romantic soundtracks (eg. Spellbound)
Favourite musical theatre/opera: West Side Story/Turandot
Best quote from your teacher: “When we perform, we smile. If we make a mistake while performing, we smile bigger.” -Dewa Suparta
Favourite quote: “I’m a man who leaves nothing to chance.” -Maestro Boris Brott
Favourite book: Dance, Dance, Dance by Haruki Murakami
Best thing about teaching at ABC: The lovely students
Latest Homework from CHRIS
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Tuesday, February 4th
Lila
Warmups:
–8 on a Hand
–Single strokes
–Double strokes
–Paradiddles
Review of grip: good. Keep skin contact with stick
Basic Beat Level 3** same as level 2, but BD plays all four beats (1, 2, 3, 4)
Step 1) Count “1 + 2 + 3 + 4 + ”
Step 2) Play the Hihat with your Right Hand (RH) on all the counts
Step 3) Add in the Bass Drum with your Right Foot (RF) on “1”, “2”, “3”, and “4”
Step 4) Add in the Snare Drum with your Left Hand (LH) on “2” and “4”
Visual Drumset Method: exercises 5-7**
–You can find this in the google drive>Frequently Used Resources (please bookmark for future use)
–Aim for four repetitions of each exercise without hiccups or hesitations
Fruit Salad Game
-Create three of your own fruit salads using the four fruit-rhythms (in your notebook)
Josh
Warm-ups:
–Hand and foot coordination (see handout): playing steady beats on the bass drum, play singles, doubles, and paradiddles with your hands on the snare drum. There should be two snare notes (ti-ti; eighth notes) to every bass drum note (ta; quarter notes)
Groove Essentials Rock Groove 5
–Play the VD ex. 10 beat for this one!
–Let’s work on getting some fills together for it
White Stripes: Seven Nation Army: DONE!
Myles
20250204
Drumset Musician p81 ex. 9-12
–Polish these off this week
Weezer: My Name is Jonas
–Finishing page one beats
Drumset Musician p83 Twelve Bar Blues playalong
–We used this as a way to learn drum fills
–Next week let’s learn about the 12 bar blues as a form
==Xylophone==
Warmups (***F Major):
–Scale, one octave, ascending and descending, saying the note names as you play them (F-G-A-Bb-C-D-E-f)
–Arpeggio (F-A-C-f-C-A-F)
–Broken thirds (F-A G-Bb A-C…), ascending and descending
Cirone Book: “Step Six” ex. 5-8
Eartraining: identifying thirds and fifths
Francisco
Warmups:
–Stick Control first page ex. 14-18 (4x each, 120bpm goal tempo)
–Play eighths ca. 120-160 bpm (gradually building up the speed) using accents on the beats to help with the push-pull strokes
Tommy Igoe Groove Essentials book: Groove 1 FAST
–This week, we’re trying to get used to playing these grooves up to speed
–In your practicing, add in crashes on the “push” shots
Noah
Warmups (1min each per practice session):
–Paradiddle combo exercise with bass drum on quarter notes
Paul Simon: Late in the Evening
–Use a metronome (I use the Tempo app by Frozen Ape) to help you lock the sixteenth-note
Mozambique pattern into the grid
–the fill before Verse 1: needs to lock in. But, because of all the space, it’s hard to do. So, make sure to drill it slowly, counting along.
–Make sure the beat three BD-LH line up perfectly
Aviva
Warmups (1min ea)
–Single strokes (LRLR…)
–Double Strokes (LLRR…)
–Paradiddles (LRLL RLRR…)
Drumset Musician p11, ex. 1-7 a)
–Find the PDF for these in the “Frequently Used Resources” folder linked below
–This week, keep polishing these off. Practice playing them along with the play-along track below
Igoe Groove Essentials Groove 1 Slow (backing track and chart in Frequently Used Resources folder)
–Learn basic beat (at top of page) and play along with the backing track
–Add in the drum fills we learned (on the handout) at the end of four-bar phrases
–Once comfortable, begin learning Variation A. Careful to count the sixteenth notes as “1e+a 2e+a…”. So this beat will be counted something like “1 + 2 +a 3 + 4 +”
Bookmark the following google drive links:
—Your personal folder
—The “Frequently Used Resources” folder
Saturday, February 22nd
Jack
Warmups:
–Tragically Hip: 50 Mission Cap
Benny Greb Rhythmic Alphabet
–Practice putting the letters of your new sentence of different drums
–Use the drum set notation on the bottom half of the page to help with reading which drums happen when
Beatles: Ticket to Ride
–Keep working on the main beat of this song! Let’s try to play along with it next time
Nova
Warmups:
–See Google Drive (or handout if we were able to print it) with the C Major, G Major, and F Major scale warmups
Cirone Book: “Step 7” ex. 3-4
–Nice job! Don’t forget to play hand-to-hand, and in the centre of each bar
–This week, let’s do #5-6
FIFTY FIFTY: Cupid
–See chart in your google drive folder
Aleksander
Warmups goal tempo *90bpm* playing four notes per beat:
–Singles, Doubles, and Paradiddles (four counts each for 1min)
–Flams, flam triplets
Drumset Musician: Sixteenth Note Ride Patterns (in your gdrive folder)
–Drill ex. 5-7, 2min ea
Lenny Kravitz: Are You Gonna Go My Way–all the way to the end!
–Polish off the ending (post-guitar-solo fill, and the time signature changes at the end)
Jonah
==Xylophone==
Warmups: see Xylophone Warmup Sheet in the Google Drive PLEASE PRINT
–This week, add in Bb Major and D Major
Ear training:
–Identifying 3rds, 5ths, and 2nds
–Playing simple melodies back by ear
Bruno Mars: Locked out of Heaven CHORD CHART EXERCISE
–I added some more to this this week! PLEASE PRINT***********
==Drums==
Warmups:
–Paradiddle combo exercise with bass drum playing quarters. Accent the beginning of each paradiddle
Paul Simon: Late in the Evening
–You can find the chart for this song in your google drive personal folder
–This week we learned the main beat. Continue getting it clean and up to speed
Jared
Warmups:
–Stick Control ex 14-23 (90bpm***)
—-Play each exercise 4 times
Igoe’s Groove Essentials – Groove 1 slow (track 1)
–Same assignment, but now move the RH to the ride and put LF hihat “chick” on a) “2” and “4” (b) “1 2 3 4” and (c) “1+2+3+4+”
Funk Groove Eleven SLOW
–We learned two fills today for this song. One was short (on beat 4) and one was longer (beats three and four). Drill’em!
Mario
Warmups (1min/ea) with Metronome at 115bpm (two notes per beat)
–8 on a hand
–Single Stroke Roll (R L R L…)
–Double Stroke Roll (R R L L…)
–Focus on keeping up with the metronome. You have a tendency to drag, so don’t let yourself get sluggish!
Queen: Rock you
–Filling in the empty “4”
Joan Jett: Rock ‘n Roll
–Watermelon-watermelon fill off the top
–“apple pineapple” fill before chorus
Drumset Musician p27 (in google drive) – 8th-note Fills, ex. 9-12
–This week, focus on keeping the 8th-note steady through your fills
***NEW SONG Red Hot Chili Peppers: My Friends
–This week, drill the main beat (it’s ex. 7 from Drumset Musician p11)
–We’ll work on the first couple fills
Mateo
Warmups (30 sec each) **pulling your thumb back:
–8 on a Hand
–Single Stroke Roll (RLRL…)
–Double Stroke Roll (RRLL…)
Drumset Musician p27, ex. 10-12**
–Aim to keep the flow of the eighth-note pulse STEADY
–try looping these exercises, so that the crash after the fill becomes beat 1 of the beat again
–count aloud!
Tommy Igoe’s Groove Essentials, Groove 1 SLOW
–Drill Variation A this week, making it fit tidily along with the recording
–Add in fills from D.M. book. Count aloud!!!
NEW SONG Survivor: Eye of the Tiger
–Find the chart in your google drive folder
–learn page 1 this week
Preferred Books for TCHRNAME Students
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